Some traditional Indonesian theater is as follows:
1. Lenong (Traditional Indonesian Theatre of Batavia)There are two forms of Lenong;
(1) Denes
Denes Lenong spectacle tells of kings and princes in the kingdom, now it is rarely encountered, since almost no successors.
(2) Lenong Preman
Performances of "Lenong Preman" tells about ordinary people, as we know it today, in the beginning, Lenong Preman played all night. Since the days of growing and demand situation, the changes occur.
Along with the launch of TIM (Taman Ismail Marzuki), lenong that had just played in the villages, by SM. Ardan, brought to TIM, but when the show was shortened by one or two and a half hours.
Another traditional Betawi theater include Betawi Mask (Topeng Betawi), Mask Blantek (Topeng Blantek) and Jipeng (Jinong).
• Lenong using musical instrument "Gambang Kromong"
• Topeng Betawi using musical instruments "Tabuhan Topeng Akar"
• Topeng Blantek using musical instruments "Tabuhan Rebana Biang"
• Jipeng or Jinong using musical instruments "Tanjidor"
Lenong performances using Betawi. Historically, Lenong under the influence of the theater Nobility.
2. Longser (traditional Indonesian Theatre in West Java)
Longser derived from the word "Melong" which means seeing and "seredet" which means intrigued. Generally Longser means that anyone who saw or watch the show, then his heart will be stirred. As with traditional theaters others, Longser also be entertainment simple, witty and entertaining.
Longser spectacle can be held anywhere, because it does not require elaborate decorations. Spectators can watch Longser with circular seating position. Longser theater is the peak of popularity in 1920 - 1960. The characters Longser among others; Ateng Japar, Bang Tawes, Bang Tilil, Bang Soang, and others.
3. Ketoprak (Indonesian Traditional Theatre in Central Java)
At first just a game Ketoprak the villagers who were entertaining themselves by using a mortar that sounded at full moon, is called gejogan entertainment. In its development, entertainment Ketoprak be a form of traditional theater spectacle complete and most popular in Central Java.
Ketoprak first staged around 1909. Initially this theater called Ketoprak dimples, but after the music drums, fly, flute, singing and drama which depicts the lives of the people in the countryside included as elements, it was complete Ketoprak as we know it today.
4. Ludruk (traditional Indonesian Theatre in East Java)
Ludruk is a popular theater that is derived from Jombang city known as the city of students. Ludruk using Java language East Javanese dialect. Over time, Ludruk then spread to areas in the west, residency Madiun, Kediri to the Central Java. In Ludruk theater, all played by men dispositive.
Ludruk tells about the life sketches of the people or society, which is peppered with the struggle against oppression. Parikan element in the theater Ludruk huge influence. For example, parikan are sung in Japanese colonial era by Cak Durasim, which makes Cak Durasim dealing with kempetei Japan. Parikan it sound like this: "Pagupon Omahe doro melok Nipon added soro"
5. Arja (traditional Indonesian Theatre in Bali)
In Bali so many forms of traditional theater. One of them is Arja. Arja is also a traditional Balinese theater that is popular. Arja emphasize tontonannya on dancing and singing. At first spectacle Arja played by men, but the development is mostly done by women players, because of its emphasis on dance. Arja generally take the play of contrasting Gambuh Gambuh story. But in its development also played the play of the Ramayana and the Mahabharata. Figures which appear in Arja is Melung (Inye, Lean) servant girl, Galuh or Sari, Limbur or Prameswari, King Princess, paramedics and others.
6. Kemidi Rudat (traditional Indonesian Theater in NTT)
One of the famous traditional theater of West Nusa Tenggara is Kemidi Rudat. Kemidi Rudat spectacle almost the same as in other areas. Form of Kemidi Rudat spectacle, sermons in the form of drama, combined with dance and singing.
Some say the origin of the word Rodat Rudat, which means marching. From traditional theater spectacle Kemidi Rudat, looked influence Duke, who against the background of Malay culture. The rhythm of the music is also nuanced Malay. With musical instruments drums, tambourine, violin and musicians. Even the story is derived from the old Malay story, while the dialogue is spoken in the Malay language.
7. Kondobuleng (traditional Indonesian Theatre in Makassar)
Kondobuleng is a traditional theater from Makassar (Bugis). Kondobuleng derived from the condo (stork) and buleng (white). So kondobuleng means white stork. Spectacle Kondobuleng have symbolic meaning. Just like traditional theater generally, spectacle Kondobuleng also played spontaneously. Symbolic story, about humans and storks are played with style jokes, jokes motion combined with stylization. What is unique about this spectacle is the absence of the boundary between the player character with the property that take place in a particular scene. They are actors, but at the same scene they also are boats that are across the ocean. But at the same time, they are also on board.
8. Dulmuluk (traditional Indonesian Theatre in Palembang)
Dulmuluk known as traditional theater from Palembang, South Sumatra. Dulmuluk name is taken from the name of the main character in the story contained Abdoel Moeloek saga. Traditional theater Dulmuluk also known as Indra Duke Theatre. Dulmuluk spectacle is also using the means of drama, dance, and singing as a form penungkapannya, and music is an integral part of the spectacle, because the players also sing the dialogue. Humor and jokes are very dominant in the Dulmuluk spectacle combines elements of dance, singing and drama.
9. Randai (traditional Indonesian Theatre in Minangkabau)
Traditional theater aerah Randai derived from Minangkabau, West Sumatra. Randi theater departed from oral literature called kaba (which means "story"). Kaba in the form of couplets and quatrains sung to the accompaniment of rabab, saluang, Bansi and tambourine. Spectacle takes place in a circular pattern based on the movements of contrasting dance of martial arts movement. Movements of this martial art called wave. The stories are tilled into spectacle is oral stories in the form of legends and fairy tales are popular in the community.
Randai is a spectacle that combines music, singing dance, drama and martial arts martial arts. General Randai exhibited in the context of traditional ceremonies or festivals.
10.Makyong (traditional Indonesian theater in Riau)
Traditional theater Makyong derived from Mantang island in Riau. At first spectacle Makyong be dancing and singing, but in its development later played the stories of legends and folk empire. Makyong favored by the nobles and the sultan, so often exhibited in the palaces. Makyong spectacle begins with a ceremony presided over by a panjak (handler) that all those involved in the offerings given salvation. Humor, dance, singing and music spectacle Maknyong dominate.
Unlike other traditional theatrical spectacle that is generally played by men, the spectacle Makyong women who dominate it. If the male performers appear, they always wear a mask, while the female players do not wear a mask. The story of the play is played from oral literature in the form of fairy tales and legends that are popular in the community.
11.Mamanda (traditional Indonesian Theatre in Banjarmasin)
Traditional theater theater Mamanda is derived from Banjarmasin, South Kalimantan. In 1897, the group Duke Malacca came to Banjarmasin, the story comes from the poem Abdoel Moeloek. Although the Banjar people are familiar with puppets, masks, Rudat, dancing, Hadrah and Japin, but this Duke group gets its own place in society.
During its development, the name change became Badamuluk Duke. And evolve again into Bamanda or Mamanda. Mamanda word comes from the word "mama" which means uncle or an uncle and "nda" means "honorable" so Mamanda means "Dear Uncle". Structure and characterization on Mamanda until now has not changed. kecualipad dressmaking, hairdressing music and artistic expression.
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